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Goh Chok Tong's Visit to FCBC

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I am surprised by how much this incident is affecting me. I thought I have moved past my former religious life, left it behind in Singapore, but like tin cans tied to a dog it has followed me and is rattling me. I am posting the incident, and my response to it, here on this blog, because I want to remember that the past is not yet past. When Emeritus Senior Minister of Singapore Goh Chok Tong visited Faith Community Baptist Church on 13 January during a Sunday service, Senior Pastor Lawrence Khong took the opportunity to deliver a hateful anti-gay message . Among other things, he said: We affirm that the family unit comprises a man as Father, a woman as Mother, and Children. This is the basic building block of society, a value foundational for a secure future, a premise fundamental to nation-building. and warned ominously that We see a looming threat to this basic building block by homosexual activists seeking to repeal Section 377A of the Penal Code.   Example...
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"The Jewel in the Crown"

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Just finished watching the last episode of "The Jewel in the Crown," the fourteen-part serial produced by Granada Studios and first broadcast on British independent TV in January 1984. Based on Paul Scott's Raj Quartet , published between 1966 and 1975, the serial focuses on the last days of British rule in India. Peter McLuskie gives here the interesting context of the serial's broadcast and subsequent role in the debate over the deregulation of television in the late 1980's.  Following a commentator on the serial, McLuskie describes "The Jewel in the Crown" as the least nostalgic and most troubled of the cycle of productions in the early '80's that looked back to the glories of the British Raj. The trouble, writes McLuskie, "may have less to do with the serial's overt politics and more to do with its form and style." This is an interesting statement, but it is also potentially a misleading one, for it implies that style is separa...
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Helen Vendler on Sylvia Plath

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I was lucky last night. MB, a friend of KS, had a free ticket to Helen Vendler's 92Y lecture on Sylvia Plath, and I was free to take up the offer. Vendler's parents knew Plath's parents, though the two daughters did not meet. A year younger than Plath, Vendler followed the poet's publications in different magazines; Plath's mother would announce her precocious daughter's successes in her Christmas cards. In Vendler's introductory remarks, she characterized Plath as an elegaist, a didactic poet (both parents were teachers), an unsuccessful poet of seasons because she saw only the extremes of black and orange, a lover of traditional poetic forms, a diligent experimenter with stanzaic form, a poet who avoided writing in sequences because they diluted the taste on the tongue, and who learned to deploy flat sentences because they were irrefutable. Vendler also detected the influence on her early poetry of Auden, Dylan Thomas, T.S. Eliot, Dickinson, Stevens,...
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