"The Quick and the Dead" and "Let Me Be Like Glass"
Two women whom I always enjoy hearing at NYC readings have recently published chapbooks. Elizabeth Harrington's The Quick and the Dead (Grayson Books) is a suite of poems about an intestine transplant that saved her life. Let Me Be Like Glass (Exot Books), by Adriana Scopino, takes the poet's very young children as its primary preoccupation. The subjects of both books are liable to receive mawkish treatment. What fascinates me is not how both poets avoid this pitfall, but how they skirt round its edge, and maintain a hair-raising balance. They do so principally through their economy of words. Most of the poems are shortish. The longer poems, significantly, are less successful than the short ones. Within the chosen limits, the words feel essential. These poets are not loquacious. They speak because they have to, at least that is the impression the poems give. But they sound different in their few words, Harrington authoritative, wry and sexy, Scopino, hesitant, marveling and...