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Showing posts with the label Wee Hong Ling

Singapore Symposium and Haiku

Yesterday's Singapore Symposium was an experiment and a gambit. To host speakers from the different fields of academia, the arts, and social work, with their different concerns and languages, was to take a risk. I think the bet paid off handsomely. Adeline Koh's work on digitally archiving "Chinese Englishmen" provides a necessary counterbalance to the current focus on the major Victorian authors, all white, mostly men. Listening to Jini Kim Watson, I was struck by how many countries in the world aspire to build modern cities like Singapore and so replicate its social control and public order. E. K. Tan spoke about the politics of using dialect in Singapore's Sinophone literature. I especially enjoyed his close look at xinyao (Singapore ballads) and Kuo Pao Kun's play "Mama Looking for Her Cat." The artists came on next and spoke passionately about why they write plays, make ceramic works, and compose music. Damon Chua, Hong-Ling Wee, and Eli Ty...

Opening Party and Haiku

Last night was the opening party of Something to Write Home About , the Singapore arts festival in New York wholly organized by Singapore creatives and volunteers based in the city. The basement of La Mama Theater was transformed into an art gallery. There was plenty to drink. Peranakan food was served. The festival director Hong-Ling Wee was, naturally, flushed with excitement. I was again impressed by her ability to connect with people when she spoke to the room. It was lovely to see friends again and to meet new people, among which were an Indian classical dancer born in Ferguson, MO; a young Malaysian diplomat; and a Singaporean new-media artist based in Chicago. Today, I'm speaking on the arts practitioners panel at the Symposium on Singapore Studies, and reading in the evening, with four other writers, at the Literary Arts event. I'm looking forward to stimulating conversations with the scholars, artists, writers and audience. It's my way of participating in the on-...

Everything Looks Beautiful

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Philip Guston, "Shoes," 1972, oil on panel Life got away from me, and so I've not been able to blog it down. So here's catch-up. March 15 evening: GH and I attended a Singapore get-together at P and A's home. I was expecting an informal potluck event, but that showed how out of touch I am with my Singapore friends. A is Singapore's ambassdaor to the UN, and so lived in appropriately well-appointed circumstances. A man took our jackets, another tended to the bar. Yet another took away our dishes after we were done feasting on the buffet dinner. Fortunately P and A were a very down-to-earth couple. Unlike some of the suits there, A was wearing just shirtsleeves. They soon made us feel welcomed. I had not seen P for years, and was pleased to see that she has not changed in appearance or manners, at least not at first re-acquaintance. I met a woman who works for one of the UN bodies, and her husband who teaches management studies at Columbia. There was...