Song of a Reformed Headhunter

  "Similarly, the poem, for all its labour and craft, is merely one person's understanding of another, possibly misjudged, and one that arguably says more about the writer than the subject. And though this current of self-critique runs through the entire collection, this project of portraiture in verse (in which both interviewer and interviewee curate the details that are meant to present an entire life in short verse) seems too important for the poems to abandon. The subtitle of the collection, 'A Simple History of Singaporeans in America', speaks to this confident ambivalence. Together, the verse portraits form a history of a community, but they remain "simple" – snapshots of particular lives in a particular place. It is a documentary and poetic project with inherent limitations, but nonetheless worthwhile." Thanks, Kristina Tom, for this perceptive review of SAMPLE AND LOOP: A SIMPLE HISTORY OF SINGAPOREANS IN AMERICA. And thanks, Yong Shu Hoong, for ...

I have a poem and talk published in the latest issue of the Quarterly Literary Review of Singapore . The poem is "The Columnist," written for Kopin Tan. The talk is "'Core and Case': Some Thoughts on the Subaltern Sonnet," first delivered at the Association of Writers and Writing Programs (AWP) Conference, in Portland, Oregon, on March 29, 2019, as part of the panel "#SonnetsSoWhite?: Poets of Color on Race and Traditional Verseforms." Thanks to Toh Hsien Min and Yong Shu Hoong, respectively, for the publications.

the first crocus flashes its green card at airport security * On March 7, Saturday evening, I read at the Singapore Literature Prize event at Book Cafe, with M. Ravi, Hidayah Amin, Josephine Chia and Yong Shu Hoong. Organized by the Book Development Council of Singapore and moderated by Jason Erik Lundberg, readings by the five authors were followed by pertinent questions about writing and publishing. Most of the people present were from the Singapore Writers' Group, which mostly consists of expatriates living in Singapore. The last time I was in Book Cafe was many years ago, when I attended a reading given by Cyril and met Jason Wee there. It was good to see the place thriving in the competitive cafe business. Eric Norris and Cheryl Koh came for the reading.

Judges Gwee Li Sui, Leong Liew Geok and Boey Kim Cheng awarded the 2014 Singapore Literature Prize (English poetry category) to Joshua Ip and Yong Shu Hoong. On the morning of hearing the result, I was very disappointed. While I was turning the disappointment over in my mind on my way to school, a jogger, silver-haired, in his fifties, ran past me without shoes. a sore loser i'd start writing in spanish if i can run barefoot

My collection of zuihitsu The Pillow Book has been shortlisted for the Singapore Literature Prize. It joins five other works in the shortlis t for the category of English Poetry. The other works are Cordelia by Grace Chia, The Viewing Party by Yong Shu Hoong, Circle Line by Theophilus Kwek, Tender Delirium by Tania De Rozario and Sonnets from the Singlish by Joshua Ip. I am grateful to Michael Schmidt for first publishing the work in PN Review , and to Kenny Leck and the Math Paper Press team for publishing it as part of their Babette's Feast chapbook series. The prizewinner will be announced at the Awards Ceremony, during the Singapore Writers Festival in Singapore on November 4.

John Marcus Powell launched his book Glorious Babe at Suite Bar last Sunday afternoon. Published by Nemo R. Hill's Exot Books, and designed and illustrated by Julio, the book was celebrated with the artistic respect and warm affection that John Marcus has garnered in years of reading poetry around New York City. Hosted by Cordis Heard and John Foy, the launch was the last installment of the Red Harlem Readers series this season. Nemo led off the reading, followed by Thomas Fucaloro, me, and David Yezzi. As Nemo observed, all of us read a little like John Marcus, so powerful was the influence of the man's voice on us. The original came on stage and read for a most entertaining half-hour. * I started posting the first two lines of a haiku on Facebook, and invited other people to complete it. The results were certainly interesting. a tiny leaf drops into my cup of tea Gwee Li Sui provided the humorous "I ask for refund"; Eric Norris the witty "like Basho...

QLRS has just published my essay on Goh Poh Seng's book-length poem Lines from Batu Ferringhi . Thanks, Hsien Min and Shu Hoong. (In the same issue also, my answers to Shu Hoong's Proust Questionnaire .) The essay will have done its work if it interests someone to re-issue this vital work of Singapore literature. Batu Ferringhi is a beach area in the north of Penang Island in Malaysia. In the 16th century, Portuguese traders from India stopped at Batu Ferringhi to replenish their water supplies, and their visits gave the place its name. "Batu Ferringhi" means "Foreigner's Rock". At this liminal space between land and sea, one seeks the foreign in one's familiar self. In the 1970s it was famous as a hippie's hangout, as a place where foreigners came to swim "in the nude at the freshwater pools" (according to Wong Chun Wai's 'Life's a beach in Penang'). Goh was not a hippie. He was a married man with children, a doc...

This was the longest time that I have ever spent in Singapore since leaving it. I will probably come back to this month from time to time, but I just want to remember, for now, the two readings I did there. Paul Tan from the National Arts Council referred me to Paul Rozario at The Arts House. Paul R. was extremely friendly and helpful in setting up the reading, which took place on August 4, in the former Ministers' Lounge in the old Parliament House. William Phuan, the director of The Arts House, was present throughout the evening too. Photo by Lianguo I was surprised and glad to see Robert Yeo in the audience. I have known his poetry since secondary school, but had never met him properly. It was fun to go out afterwards with him and Alvin Pang, who kindly agreed to moderate the Q&A, for supper at Adams Road Hawker Center. I was especially pleased to see a number of ex-students from Chua Chu Kang Secondary School turning up. They must have learned from Facebook and els...

The essay appears in Volume II of Sharing Borders: Studies in Contemporary Singaporean-Malaysia Literature , itself a part of the series Writing Asia: The Literatures in Englishes . In the essay, instead of rehashing the tired discourse of nationalism in the poetry of earlier Singaporean poets, Gwee focuses on younger poets who published their first books in 1997 and later. Relatively free from the control of both State and University, these poets put out, with the help of independent publishers, a series of works that have re-energized Singaporean writing. A chronology: 1997 - Alvin Pang's Testing the Silence , Aaron Lee's A Visitation of Sunlight , and Yong Shu Hoong's Isaac . 1998 - Grace Chia's Womango , Alfian Sa'at's One Fierce Hour , Felix Cheong's Temptation and Other Poems , Damien Sin's Saints, Sinners and Singaporeans and Gwee's Who Wants to Buy a Book of Poems? 1999 - Felix Cheong's I Watch the Stars Go Out , Daren Shiau's ...