Father's Day at Citi Field

Just one more post today. About the Mets versus Rays game I watched yesterday with TCH at the new Mets Stadium. The $850 million Citi Field is a beautiful structure, fronted by the Jackie Robinson rotunda. The steel girders rise above the brick walls in an impressive show of strength and aspiration. Inside, the passageways are bright and airy, lit and refreshed by the openness of the steel frame.

It was Father's Day at the stadium. The big screen showed interviews of the players talking about their dads. The expected treacly stuff. The starting pitch was thrown by a kid, whose dad stood proudly by him. Fathers-and-sons won prizes sponsored by one company or another. The American genius for packing sports, entertainment and commerce into one enticing package. The whole Father's Day a-do affected TCH, who attended the game to distract himself from thinking he was not with his children on this day. We were supporting the Rays, the team his parents in Florida support. 

At one point the stadium cameras zoomed in on couples, and they appeared on the big screen, framed by a heart. Needless to say, the couples, though diverse in age and ethnicity, were all straight. It was a routine affirmation of hetero-normality. I realized afresh I cheer for a different team, a team not playing at home in the spanking new stadium. I was happy that the Rays beat the home team 10-6. 

Comments

Post a Comment

Popular posts from this blog

Goh Chok Tong's Visit to FCBC

Image
I am surprised by how much this incident is affecting me. I thought I have moved past my former religious life, left it behind in Singapore, but like tin cans tied to a dog it has followed me and is rattling me. I am posting the incident, and my response to it, here on this blog, because I want to remember that the past is not yet past. When Emeritus Senior Minister of Singapore Goh Chok Tong visited Faith Community Baptist Church on 13 January during a Sunday service, Senior Pastor Lawrence Khong took the opportunity to deliver a hateful anti-gay message . Among other things, he said: We affirm that the family unit comprises a man as Father, a woman as Mother, and Children. This is the basic building block of society, a value foundational for a secure future, a premise fundamental to nation-building. and warned ominously that We see a looming threat to this basic building block by homosexual activists seeking to repeal Section 377A of the Penal Code.   Example...
Read more

Wallace Stevens' "The Noble Rider and the Sound of Words"

Just read three essays from the "Poetics" section at the back of Volume One of The Norton Anthology of Modern and Contemporary Poetry : "The Poetry and the Present" by D.H. Lawrence (1919); "The Negro Artist and the Racial Mountain" by Langston Hughes (1926); and "The Noble Rider and the Sound of Words" by Wallace Stevens (1942). The first is an artful polemic for free verse in contact with the "insurgent naked throb of the instant moment." The second is a spirited rejoinder to a young Negro poet who wanted to "write like a poet--not a Negro poet." The third, my favorite, is a wide-ranging meditation on the nature of poetry and the role of the poet. So many grand things said but I will only quote a few passages: I am interested in the nature of poetry and I have stated its nature, from one of many points of view from which it is possible to state it. It is an interdependence of the imagination and reality as equals. This is...
Read more

Steven Cantor's "What Remains: the Life and Work of Sally Mann"

Image
Sally Mann, The Perfect Tomato , 199 0 Since it is moving pictures, a film necessarily captures--produces--a process. It turns photographs into the making of photographs. It joins moments ("spots of time") into a Life. This I expected watching Cantor's documentary on Sally Mann's creation of the exhibit "What Remains." So photographs of a long-dead beloved greyhound "lead" to photographs of the Civil War battlefield of Antietam, to photographs of Mann's Virginian farm bloodied by the police killing of a runaway convict, to photographs of decomposing bodies in a forensic study site, as if each group of pictures forms an independent yet preparatory stage in the creative process. What I did not expect to see is the influence of the film-making on the photography itself. Mann begins to think of her exhibit as a "narrative," and wants the narrative of death to end on a more uplifting note. With such an idea in mind, she takes close-up pic...
Read more