Haiku

tuna empanada
from the end of the world
known to the Romans

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"The Jewel in the Crown"

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Just finished watching the last episode of "The Jewel in the Crown," the fourteen-part serial produced by Granada Studios and first broadcast on British independent TV in January 1984. Based on Paul Scott's Raj Quartet , published between 1966 and 1975, the serial focuses on the last days of British rule in India. Peter McLuskie gives here the interesting context of the serial's broadcast and subsequent role in the debate over the deregulation of television in the late 1980's.  Following a commentator on the serial, McLuskie describes "The Jewel in the Crown" as the least nostalgic and most troubled of the cycle of productions in the early '80's that looked back to the glories of the British Raj. The trouble, writes McLuskie, "may have less to do with the serial's overt politics and more to do with its form and style." This is an interesting statement, but it is also potentially a misleading one, for it implies that style is separa...
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I was lucky last night. MB, a friend of KS, had a free ticket to Helen Vendler's 92Y lecture on Sylvia Plath, and I was free to take up the offer. Vendler's parents knew Plath's parents, though the two daughters did not meet. A year younger than Plath, Vendler followed the poet's publications in different magazines; Plath's mother would announce her precocious daughter's successes in her Christmas cards. In Vendler's introductory remarks, she characterized Plath as an elegaist, a didactic poet (both parents were teachers), an unsuccessful poet of seasons because she saw only the extremes of black and orange, a lover of traditional poetic forms, a diligent experimenter with stanzaic form, a poet who avoided writing in sequences because they diluted the taste on the tongue, and who learned to deploy flat sentences because they were irrefutable. Vendler also detected the influence on her early poetry of Auden, Dylan Thomas, T.S. Eliot, Dickinson, Stevens,...
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Goh Chok Tong's Visit to FCBC

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