2nd Singapore Literature Festival in NYC, Sep 28 - 30, 2016

Dear Friends,

We are excited to announce the return of Singapore Literature Festival in New York City. The theme this year is Singapore Unbound. Started in 2014, the biennial festival brings together Singaporean and American authors for in-depth conversations about literature and society. The inaugural festival, attended by more than 500 people, was very warmly received. Attendees formed personal connections to the writers whom they heard. This year we aim to raise USD15 000 for the festival and we ask you to consider making a generous gift.

The 2nd Singapore Literature Festival in NYC will be held from September 28 – 30, 2016. Award-winning authors Alfian Sa’at and Ovidia Yu will fly from Singapore to New York to present their trailblazing fiction, poetry, and plays. They will be joined by Singaporean and American authors and artistes based in the US, including Jessica Hagedorn, Gina Apostol, Naomi Jackson, Jeremy Tiang, Marcus Yi, Mei-Ann Teo, and Jason Wee. Our partners Hunter College, New York University, Adelphi University, and Asia Society will be co-presenting readings and discussions. All events are free and open to the public.

Your donation is essential in making this festival a reality. We are an independent, volunteer-run festival and depend wholly on private contributions from donors passionate about literature. Please consider making a tax-deductible donation in the next 30 days. Your support means everything to us. Your donation will help pay for festival expenses, such as writers’ airfares, venue rentals, and publicity efforts. Beyond the festival, your donation will also help sustain the Second Saturdays Reading Series, a regular platform in NYC for the reading of Singapore and American literatures.

There are two easy ways to donate:

1. You can donate by credit card online at the link below:
https://www.fracturedatlas.org/site/fiscal/profile?id=13839

2. If you prefer, you can also donate by check. Please send contributions to Jee Leong Koh, 47 W 86th Street, Apt. 2R, New York, NY 10024, USA. Checks should be made payable to “Fractured Atlas,” with “Singapore Literature Festival in NYC” in the memo line.

Singapore Literature Festival in NYC is a sponsored project of Fractured Atlas, a non‐profit arts service organization. Contributions for the charitable purposes of Singapore Literature Festival in NYC must be made payable to “Fractured Atlas”only and are tax‐deductible to the extent permitted by law.

We also appreciate matching gifts, non-cash or in-kind donations. If you would like to get more involved, we are looking for volunteers to help run the festival events. You could also help by spreading the word about this fundraising appeal. Thank you in advance for your generous support.


Sincerely,

Jee Leong Koh
Organizer
Singapore Literature Festival in NYC


Giving Levels

$50 or more >> Backer
Your name on the festival website and in the festival program.

$100 or more >> Friend
A souvenir copy of the official festival program. Plus reward from previous tier.

$250 or more >> Supporter
A handwritten Singapore poem on a special postcard. Plus all rewards from previous tiers.

$500 or more >> Fan
A personally inscribed book by a festival author. Plus all rewards from previous tiers.

$1 000 or more >> Benefactor
A dedication to you in a new book by Jee Leong Koh, festival organizer and author of a Financial Times Best Book of 2015. Plus all rewards from previous tiers.


Donate by credit card online at the link below:
https://www.fracturedatlas.org/site/fiscal/profile?id=13839

  

Comments

Post a Comment

Popular posts from this blog

Goh Chok Tong's Visit to FCBC

Image
I am surprised by how much this incident is affecting me. I thought I have moved past my former religious life, left it behind in Singapore, but like tin cans tied to a dog it has followed me and is rattling me. I am posting the incident, and my response to it, here on this blog, because I want to remember that the past is not yet past. When Emeritus Senior Minister of Singapore Goh Chok Tong visited Faith Community Baptist Church on 13 January during a Sunday service, Senior Pastor Lawrence Khong took the opportunity to deliver a hateful anti-gay message . Among other things, he said: We affirm that the family unit comprises a man as Father, a woman as Mother, and Children. This is the basic building block of society, a value foundational for a secure future, a premise fundamental to nation-building. and warned ominously that We see a looming threat to this basic building block by homosexual activists seeking to repeal Section 377A of the Penal Code.   Example...
Read more

Wallace Stevens' "The Noble Rider and the Sound of Words"

Just read three essays from the "Poetics" section at the back of Volume One of The Norton Anthology of Modern and Contemporary Poetry : "The Poetry and the Present" by D.H. Lawrence (1919); "The Negro Artist and the Racial Mountain" by Langston Hughes (1926); and "The Noble Rider and the Sound of Words" by Wallace Stevens (1942). The first is an artful polemic for free verse in contact with the "insurgent naked throb of the instant moment." The second is a spirited rejoinder to a young Negro poet who wanted to "write like a poet--not a Negro poet." The third, my favorite, is a wide-ranging meditation on the nature of poetry and the role of the poet. So many grand things said but I will only quote a few passages: I am interested in the nature of poetry and I have stated its nature, from one of many points of view from which it is possible to state it. It is an interdependence of the imagination and reality as equals. This is...
Read more

Steven Cantor's "What Remains: the Life and Work of Sally Mann"

Image
Sally Mann, The Perfect Tomato , 199 0 Since it is moving pictures, a film necessarily captures--produces--a process. It turns photographs into the making of photographs. It joins moments ("spots of time") into a Life. This I expected watching Cantor's documentary on Sally Mann's creation of the exhibit "What Remains." So photographs of a long-dead beloved greyhound "lead" to photographs of the Civil War battlefield of Antietam, to photographs of Mann's Virginian farm bloodied by the police killing of a runaway convict, to photographs of decomposing bodies in a forensic study site, as if each group of pictures forms an independent yet preparatory stage in the creative process. What I did not expect to see is the influence of the film-making on the photography itself. Mann begins to think of her exhibit as a "narrative," and wants the narrative of death to end on a more uplifting note. With such an idea in mind, she takes close-up pic...
Read more