Beyond NaPo 49
Wisconsin
This is the house that Wright built
and rebuilt
and rebuilt
after each ravagement,
the limestone
from a local quarry,
the plaster
mixed with sienna
to resemble
the sandy banks of the river,
the shingles
weathered to the color
of silver-grey trees,
the windows
placed to let the sun in
at every hour
of the day.
This is the house
that houses
Japanese prints and Ming vases,
a council circle
re-de-signed by an
immigrant Dane,
and bears the name
of a Welsh bard,
which means Shining Brow.
This is the house
that built other houses
and the centrifugal
house for
Non-Objective art,
later named
after its founding Jew.
This is the house
that students come to
every summer
to study how to build a house.
This is the house that Wright built
and rebuilt
and rebuilt
after each ravagement,
the limestone
from a local quarry,
the plaster
mixed with sienna
to resemble
the sandy banks of the river,
the shingles
weathered to the color
of silver-grey trees,
the windows
placed to let the sun in
at every hour
of the day.
This is the house
that houses
Japanese prints and Ming vases,
a council circle
re-de-signed by an
immigrant Dane,
and bears the name
of a Welsh bard,
which means Shining Brow.
This is the house
that built other houses
and the centrifugal
house for
Non-Objective art,
later named
after its founding Jew.
This is the house
that students come to
every summer
to study how to build a house.
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