Flickering Lamp and Cracked Mirror
Weekly column written for the Singapore Unbound newsletter. Sign up here.
At my NYC private school, my department is
engaged in an exercise to re-envision our mission in the light of the
Black Lives Matter movement. I've undergone such exercises in the past,
in both Singapore and New York, and have found them mostly useless. This
time is different. The work with a thoughtful facilitator and willing
colleagues has opened up a space for self-reflection. As part of the
exercise, we were asked to write down our assumptions in teaching
literature, and I'd like to share with you my contribution in the hope
of dialogue. After writing down, and reviewing, my ideas, I discovered
that most of my assumptions have remained steady through the years, but
not all.
My Assumptions Underlying My Teaching of Secondary-School English
1. Content
Great works of literature are worth studying both for themselves and for
their potential impact on the individual and society. They are worth
studying for themselves because they are products of the human
imagination, which is not necessarily perfect but is essentially
expansive, complex, and creative. They are worth studying for their
potential impact on the individual and society because they explain us
to ourselves and so illuminate the necessity and challenges of personal
growth and social change.
A middle- and high-school English curriculum must include authors and
texts from diverse backgrounds, so that as many students as possible can
see themselves represented in literary works and as literary producers.
Another reason for the diversity, no less important a developmental
need than the first, is the imperative to expose ourselves to literary
expressions of experiences, cultures, and histories far different from
our own.
2. Pedagogy
I teach close reading because I believe that it is the most direct road
to understanding a literary work’s complex meaning and linguistic
beauty. It is also the most developmentally appropriate method for
teaching language use. In literary works, language is both most complex
and most engaging; properly chosen, literary texts provide students with
both challenge and support. However, close reading must be supplemented
with biography and history, since no work exists in a vacuum, but is
always entangled with its contexts.
Writing instruction should focus on both analytical and generative
skills. The ability to develop a persuasive argument is fundamental not
only to the study of literature, but also to principled engagement in
the world. It is an essential skill for participation in a deliberative
democracy. We write, however, not just for others, but also for
ourselves. In creative writing, we discover and express original
thought, personal worlds, and individual voice. We become persons, in
addition to citizens.
3. Values
The values that I wish to inculcate in my students are ranked in the following list:
- Love for the literary imagination
- Respect for intellectual achievement and rigor
- Self-understanding
- Curiosity
- Empathy
- Humility
- Resilience
- Love of justice
I rank self-understanding ahead of the more outwardly-directed virtues—curiosity, empathy, humility, and resilience—because I believe that it undergirds all the rest. Although I wish to build a reading community in all my classes, I acknowledge that the community is built on the fundamentally private experience of reading. In that personal encounter with literature, students discover themselves in its flickering lamp and cracked mirror. That process of self-discovery is a crucial part of secondary education.
I would not have added the eighth value, love of justice, if I had not learned and benefited from the social movements that call for change and are changing our world right now. To love justice is to look beyond the individual and see the systems that control and oppress all of us. Literature belongs to such systems, but it also has the power to subvert them, not least through compelling description. Systemic solutions to our problems must be sought, and I believe that they are most likely to be found by self-understanding, curious, empathetic, humble, and resilient individuals, working alone or in groups, who will also be the best advocates and agents of change.
If you are a teacher of literature, what are your assumptions in your teaching? If you are willing to share them with me, I will highlight a few ideas in my next newsletter that are different from those expressed above. Ideas for implementation too.
Jee Leong Koh
August 20, 2020
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