Posts

Barefoot and Gun Island

Barefoot is the Collected Poems of Scottish poet Alastair Reid edited by Tom Pow. I found the book in Barnes & Nobles one evening while browsing the poetry section. The poems are skillful and reflective, sincere and nostalgic, but not terribly memorable, to be honest. The stakes in the poems are not raised very high. Gun Island is my first Amitav Ghosh. I bought it from Book Culture to support the bookstore. The novel is humane and well-plotted, although the writing slips into cliches at times. The protagonist, Deen a rare books dealer, remains a bit of a cipher. The two sections are interesting for me in different ways. The first section is set in the Sundarbans, a mangrove delta of the Ganges that I got to know from Rushdie's Midnight's Children . The second section is set in Venice, which we visited for the first time last summer. I could vouch from my personal experience that the Bengalis have been in that city for a long time: we had dinner at what looked like a ver...

Austerlitz

Read this a while back but never got round to blogging about it. It's an absorbing read, with an accumulating power, as secrets are revealed and connections are made. I find the ending of The Emigrants more moving, but the sober ending here has a depth of its own.

Longlisted and Semi-Finalist

SNOW AT 5 PM, my hybrid manuscript of haiku translations and commentary, is on a roll! It has just been longlisted for the 1st [PANK] BOOK CONTEST . This comes after it has been selected as semifinalist for the YESYES BOOKS Open Reading Period . Excerpts have also just been published in the Long Poem Magazine . The contest results will be announced in December. Wish me luck!

Powered by Passion

Weekly column written for the Singapore Unbound newsletter. Sign up here . If you've enjoyed reading this weekly newsletter, would you consider donating to Singapore Unbound's End-of-Year Appeal ? We rely completely on the support of private individuals like yourself, who care for literature and human rights. We can devote all our resources to writers and the presentation of their work because Singapore Unbound is powered by passionate volunteers. All our events are free and open to the public. Many of you have been steady supporters through the years. Thank you from the bottom of our hearts. Here's to another year of struggle, solidarity, and small victories. Donate Now.  Jee Leong Koh November 22, 2019

Soft Power

On GA's strong recommendation, PN and I watched David Henry Hwang's new play Soft Power at the Public Theater on November 2. It was a very clever, even mind-bending, re-write of The King and I , with a Chinese producer playing the part of a counselor to Hilary Clinton. Some of the dualism depicted by the play were too crude for my taste, such as the opposition between American individualism and Chinese family duty, but it was still fun to see Chinese political culture presented as a viable competing ideology, in some cases, superior to that of the USA. Since right at the start the play criticized the use of the Broadway musical as a vehicle for American soft power, the ending extolling the virtues of American democracy must be viewed with the intended ambiguity. If we felt the appeal of American ideals, we also knew that we were being put upon. In this way, Hwang had his cake and ate it. The party was also about the wonderful number of Asian American actors on stage. They acted...

Accent on the Ascent

Weekly column written for the Singapore Unbound newsletter. Sign up here .  "Did your accent hold you back?" The question came from a participant of newyork.sg, a social enterprise that brings young Singaporean creatives to meet artists, entrepreneurs, and media workers in New York in order to deepen their own creative pursuit. Fielding questions from the nine young women, we were a poet, a pianist, and an actress on the panel held in the intensely casual atmosphere of the WeWork lounge in lower Manhattan. What is my accent? Many Singaporeans describe it as American, American friends detect British elements in it, and British acquaintances often pronounce it Singaporean. How can I forget that very uncomfortable incident at the private school on the Upper East Side where I had taught English for 10 years, an incident uncomfortable to all concerned, when a student with a hearing disability said she could not understand my "accent" and asked to be transferred to an...

Ritwik Ghatak, Bengali Filmmaker

Last week Film at Lincoln Center screened a retrospective series of restored black-and-white films by Bengali master Ritwik Ghatak. I caught two films: A River Called Titas , an epic about the dying of a village, told in linked stories; and The Cloud-Capped Star , a more domestic film about a young woman who gave her life working for her family. Both films could be described as social realism, but I would rather call them lyrical realism, so beautifully crafted are the images and sequences.