This summary in Today newspaper is symptomatic of what's wrong with the current direction of Singapore arts: it's all about numbers, institutions, infrastructure, international recognition, markets, and nothing about the artists and their work. Even when naysayers such as Khairuddin Hori and I are quoted, our words are taken to support the same themes. I am not "agreeing" with Joshua Ip, but saying something very different instead. Even increasing arts appreciation among Singaporeans is couched in terms of attendance numbers. Nothing is mentioned about how a certain segment of Singaporeans has worked to censor the arts, and so betrays how backwards we are still in terms of our understanding of art. None of this is a surprise, but it is very sad. All the investments of money, time, and energy in the arts only go to creating a spirit that is anti-art. This must have a corrupting effect on art-making in Singapore. As artists, we must resist this corruption, and hope that our work will not be too distorted by the necessary resistance. If you are an artist/writer working in Singapore, how would you summarize your past year? What progress in your work, or even breakthrough, did you experience? What setbacks? Where are you drawing strength and encouragement?