Song of a Reformed Headhunter

Put them on record before I forget. Two triumphs over adversity, though the triumphs are very different, as are the adversities. In  The King's Speech, directed by Tom Hooper, King George VI (Colin Firth) overcomes his stutter with the help of his speech therapist Lionel Logue (Geoffrey Rush) to speak to his people at the outbreak of World War II. In  Harry Potter and the Deathly Hallows (Part 1 watched on my laptop and Part 2 in the theater), directed by David Yates, the schoolboy wizard (Daniel Radcliffe) manages to destroy the horcruxes and so put an end to the evil Voldemort (Ralph Fiennes). There are similarities between the films, however. King George VI's speech impediment is pinned by the film on his feelings of inadequacy, in particular, in failing to live up to his father's expectations. Potter too has big shoes to fill, those of his father who was the golden boy of Hogwarts, and who died fighting against Voldemort. He is also the spiritual son of headmaster D...

I was all ready to like Hedwig and the Angry Inch (2001), but found myself disliking it. A transsexual punk woman from East Berlin tours the US with her band, playing in diners rather than clubs, as she tells the story of her life and follows an ex-lover who stole her songs and became a teen idol. What could have been a complex look at an injured soul became a me-me biopic. For Hedwig (John Cameron Mitchell, who also directed, and wrote the book with Stephen Trask), the world is divided into two camps: those who love me, and those who don't. Such narcissism is a potent subject, but the film does not acquire any distance from it for any analysis. The fall of the Berlin wall was a metaphor taken up the film sporadically. I am not a fan of punk rock, and the many numbers in the film, sung live by Mitchell over a pre-recorded band mix, did not change my mind. I have not read Harry Potter and the Half-Blood Prince , and think that if I had done so the movie, directed by David Yates, w...