Posts

Showing posts with the label Legaspi Joseph

The Erotic in Asian American Poetry

Image
(Q Thomas Bower) Happy Valentine's Day! Ocean Vuong guest-edits a portfolio of poems on desire and love over at the Margins, the on-line journal of the Asian American Writers' Workshop. The lovers-poets are Cathy Linh Che, David Mura, Joseph O. Legaspi, Lee Ann Roripaugh, Timothy Liu and Victoria Chang. I have a poem, "Eve's Fault," in it too.

Shipping, Poetry and Art at Salem

Accepted to read at the Massachusetts Poetry Festival, wanting to spend a whole day in Salem, I took the overnight Megabus, arriving at South Station, Boston, at 6.00 AM. Then I realized that the first commuter train from North Station to Salem does not leave until 8:30 on weekends. I had The Nibelungenlied with me, and so read How Siegfried Came to Worms, and How Siegfried Fought with the Saxons, and How Siegfried First Set Eyes on Kriemhild. The epic reminds me much more of Arthurian romances than of the Iliad . Love plays as big a part as War. Arriving at Salem finally, I checked in with the Festival HQ, and then wandered down sleeping streets. I had eggs and hash in a diner run by Mexicans, before finding my way to Hawthorne's Custom House, where he wrote The Scarlet Letter while pacing back and forth from his office to the front door. Under the seaward gaze of the House, I walked out on Derby Wharf, which stuck out into Salem Harbor like a very long finger. Men on The Frie...

Joseph O. Legaspi's "Imago"

Image
The debut poetry collection of Legaspi, a friend of mine, is about rites of passage, in particular, the rite of circumcision, which many of these poems attempt to circumscribe. The title-poem begins: As soon as we became men my brother and I wore skirts. We pinched our skirt-fronts into tents for our newly circumcised penises, the incisions prone to stick painfully to our clothing. As these opening lines show, the movement of the book is narrative, the motor is memory, the voice gently humorous, and painfully aware, likeable. This poem rises to a meditation on how women help men pass their initiation into manhood. The delight here, as elsewhere in this book, lies in the specificity of local details. After expressing his preference for his "sister's plaid skirt," and his brother's choice of a grandmother's one, "flowers/ showering down his ankles," the speaker describes the mother's ministrations to a son's agonizing manhood. As a cure, my mother...