Song of a Reformed Headhunter

Last Wednesday, GH and I heard the London Symphony Orchestra, led by Sir Colin Davis, performed an all-Sibelius program at Carnegie Hall. Nikolaj Znaider soloed in the Violin Concerto in D minor, and he was terrific, warm and delicate in the quiet passages. I have his performance of Elgar's Violin Concerto on my iPad, and listen to it over and over again. For some reason I did not care so much for Symphony No. 2 performed after the intermission. It was a rather more unconventional program last night at Alice Tully. A part of White Light Festival, "A Homage to J. S. Bach" looked at how Russian composers have been influenced by Bach's musical forms while using a modern tonal idiom. The program was headlined by Gidon Kremer, who played with beautiful intonation a chaconne from one of Bach's partitas. I also enjoyed very much Shostakovich's Piano Trio 2, which Kremer played with cellist Giedre Dirvanauskaite and pianist Andrius Zlabys, both from Lithuania. Kreme...

Last Saturday GH and I heard Nikolaj Znaider play Elgar's Violin Concerto in B minor. The Copenhagen native was tall and square-shouldered, and walked on with an easy grace. From where we sat, in the middle of the orchestra, I could see his strong jaw. Without trying to, he commanded the stage. His performance of Elgar was dignified, passionate and dynamic. The orchestra was so responsive to him that he almost seemed to be co-conducting it with Sir Colin Davis. I also enjoyed Elgar's Introduction and Allegro for Strings (Quartet and Orchestra) and Mozart's Symphony No. 36 in C major, Linz, but Znaider was a revelation. Yesterday morning, during my commute to school, I listened to his recording of the same violin concerto, with Sir Colin Davis and the Dresden Staatskapelle. The third movement was so grand that I had to halt in wintry Carl Schurz Park to hear it to the end. Hearing the music and watching the sunrise at the same time was an incredible feeling. I felt I cou...