Hedwig and Harry Potter

I was all ready to like Hedwig and the Angry Inch (2001), but found myself disliking it. A transsexual punk woman from East Berlin tours the US with her band, playing in diners rather than clubs, as she tells the story of her life and follows an ex-lover who stole her songs and became a teen idol. What could have been a complex look at an injured soul became a me-me biopic. For Hedwig (John Cameron Mitchell, who also directed, and wrote the book with Stephen Trask), the world is divided into two camps: those who love me, and those who don't. Such narcissism is a potent subject, but the film does not acquire any distance from it for any analysis. The fall of the Berlin wall was a metaphor taken up the film sporadically. I am not a fan of punk rock, and the many numbers in the film, sung live by Mitchell over a pre-recorded band mix, did not change my mind.

I have not read Harry Potter and the Half-Blood Prince, and think that if I had done so the movie, directed by David Yates, would have felt even more somnolent. The plot is just not that gripping. Harry has to wheedle out of a new professor his memory of Tom Riddle. Malfoy plays peek-a-boo with a magic cabinet that transported the evil wizards into Hogwarts. The visuals are strong, but also feel familiar. The teenage characters are not charming or nuanced enough to make teenage romance interesting. The exceptions are Hero Fiennes-Tiffin (Tom Riddle at age 11), and Frank Dillane (Tom Riddle at age 16). The first had a compelling malevolent look; the second gave force and subtlety to his every word.

I am obviously not watching the right films.


Comments

scritic said…
You know, the first time I saw Hedwig, I sort of liked it but the pop cultural references went right past me, which was annoying (this happens to me, in most "gay" movies). But the second time I saw it, I was surprised by how well the movie walks the line between comedy and tragedy. I mean we're talking about a girlie man, who has his manhood chopped off and a love of his life who rejects him and steals his songs! Yet Hedwig doesn't seem to be begging for pity at all (I guess you disagree on this score). It is kind of touching - and also I liked the songs.
9:06 AM
Jee Leong said…
Thanks for your comment. I agree that I would have appreciated the movie more if I get the pop references.
3:50 AM
Post a Comment

Popular posts from this blog

Goh Chok Tong's Visit to FCBC

Image
I am surprised by how much this incident is affecting me. I thought I have moved past my former religious life, left it behind in Singapore, but like tin cans tied to a dog it has followed me and is rattling me. I am posting the incident, and my response to it, here on this blog, because I want to remember that the past is not yet past. When Emeritus Senior Minister of Singapore Goh Chok Tong visited Faith Community Baptist Church on 13 January during a Sunday service, Senior Pastor Lawrence Khong took the opportunity to deliver a hateful anti-gay message . Among other things, he said: We affirm that the family unit comprises a man as Father, a woman as Mother, and Children. This is the basic building block of society, a value foundational for a secure future, a premise fundamental to nation-building. and warned ominously that We see a looming threat to this basic building block by homosexual activists seeking to repeal Section 377A of the Penal Code.   Example...
Read more

Wallace Stevens' "The Noble Rider and the Sound of Words"

Just read three essays from the "Poetics" section at the back of Volume One of The Norton Anthology of Modern and Contemporary Poetry : "The Poetry and the Present" by D.H. Lawrence (1919); "The Negro Artist and the Racial Mountain" by Langston Hughes (1926); and "The Noble Rider and the Sound of Words" by Wallace Stevens (1942). The first is an artful polemic for free verse in contact with the "insurgent naked throb of the instant moment." The second is a spirited rejoinder to a young Negro poet who wanted to "write like a poet--not a Negro poet." The third, my favorite, is a wide-ranging meditation on the nature of poetry and the role of the poet. So many grand things said but I will only quote a few passages: I am interested in the nature of poetry and I have stated its nature, from one of many points of view from which it is possible to state it. It is an interdependence of the imagination and reality as equals. This is...
Read more

Steven Cantor's "What Remains: the Life and Work of Sally Mann"

Image
Sally Mann, The Perfect Tomato , 199 0 Since it is moving pictures, a film necessarily captures--produces--a process. It turns photographs into the making of photographs. It joins moments ("spots of time") into a Life. This I expected watching Cantor's documentary on Sally Mann's creation of the exhibit "What Remains." So photographs of a long-dead beloved greyhound "lead" to photographs of the Civil War battlefield of Antietam, to photographs of Mann's Virginian farm bloodied by the police killing of a runaway convict, to photographs of decomposing bodies in a forensic study site, as if each group of pictures forms an independent yet preparatory stage in the creative process. What I did not expect to see is the influence of the film-making on the photography itself. Mann begins to think of her exhibit as a "narrative," and wants the narrative of death to end on a more uplifting note. With such an idea in mind, she takes close-up pic...
Read more