An expertly crafted book of poetry, full of heartfelt knowledge of a place that the author has left to reside elsewhere. The cartographer and the rastaman represent two different ways of knowledge, one rational and calculating, representing an imperialistic perspective, the other mystical and musical, representing a local resistance. If--even in the evidently sincere clash of views, perhaps expressing the conflict in the author--some of the poems feel overly explanatory (the Place Names poems, for instance, even though the explanations may be more invented than real), conceding too much to the ignorant curiosity of Western minds, the collection is still suffused with a strong sense of self-discovery and self-making, which asserts the autonomy of the post-colonial subject. My favorite poem, which does not explain too much, is the extremely moving "My Mother's Atlas of Dolls." Here, the author is not trying to justify himself, but attempting to do justice to one who has never left.