The Lung-Sponges
At the Easter vigil in St. Luke-in-the-Field,
where my friend Y was to be confirmed,
I saw for the first time in my life
more men than women in a church.
A gay-friendly church.
As in children-welcoming.
Or dogs-permitting.
Yes, I am hostile to the Church.
It wasn’t always like this.
Two years ago, when Y was getting baptized,
the music was soft as feathers and powerful as wings,
and carried back a young man yearning to die and rise again.
No young man came up to my pew in St. Luke.
So I punished him.
How could you have loved
God who killed by water, stuffing noses, mouths and lungs?
How could you have trusted
God who saved the Jews and drowned the Egyptians,
then sided with the Christians against the Jews,
then beheaded Catholics for not being Protestants?
I did not stay for the Eucharist. I did not talk to my friend Y.
My missing young man frightens me
for I know he lurks,
perhaps round the corner of the church.
Plan for this poem-in-progress
where my friend Y was to be confirmed,
I saw for the first time in my life
more men than women in a church.
A gay-friendly church.
As in children-welcoming.
Or dogs-permitting.
Yes, I am hostile to the Church.
It wasn’t always like this.
Two years ago, when Y was getting baptized,
the music was soft as feathers and powerful as wings,
and carried back a young man yearning to die and rise again.
No young man came up to my pew in St. Luke.
So I punished him.
How could you have loved
God who killed by water, stuffing noses, mouths and lungs?
How could you have trusted
God who saved the Jews and drowned the Egyptians,
then sided with the Christians against the Jews,
then beheaded Catholics for not being Protestants?
I did not stay for the Eucharist. I did not talk to my friend Y.
My missing young man frightens me
for I know he lurks,
perhaps round the corner of the church.
Plan for this poem-in-progress
Comments
During my second reading of this poem, the italiziced lines hit me really deep; I cried while reading them. (I'm not sure if that's what you intended but anyway I did.) I am saddened and horrified by that monstrous religious history and by those monstrous old religious stories which people stupidly-dangerously-destructively-childishly-uncritically continue recycling in “pious” rituals. Maybe we (lots of people) can develop ever-better strategies to point to, and then within ourselves to dissolve & to render impotent, our lingering images resembling the old god and the young man in your poem. These could be new strategies of poetry, of meditation, of philosophical discussion, of criticism, of connection between and among people, of community-making, of family-making…
In my reading, the poem’s juxtaposition of old god and young man is excellent—it’s powerful aesthetically and profound in the meaning it points to.
To me the poem’s expression of fear at the end is right - it makes sense. It seems to me that I feel a kindred fear.
Thank you, Jee Leong.
To me it helps to imagine those old myths & symbols as coming (as they must, on some level, have come) out of people's play; imagining them that way can, perhaps, help dispel people’s cheap fever-dreaming about meanings that fall to earth, pre-formed and absolutely true, at the will of a “super-human” and remote heavenly authority.