Thanks very much, everyone who came out to the Singapore launch of Steep Tea tonight. You were, in a word, overwhelming. Your support, love, and friendship. I am so grateful. I'm just sorry that there wasn't time to talk to everyone properly. I hope we will see one another when I visit again next summer. If you fancy hearing me talk cock sing song about "Raising the Profile of Asian Literature" (10 am) and "Getting Published Overseas" (2:30 pm), come to the Singapore Writers Festival at The Arts House tomorrow (Sat). For those of you who couldn't get a copy of my book tonight, it will be available at the festival bookshop at The Arts House from tomorrow to the end of the festival. Thanks again, Boedi Widjaja, for the cover image and for coming out tonight. Thank you, Anthony Koh Waugh, for hosting the launch at your wonderful bookstore. You are a sweetheart. At the Singapore Writers Festival, I was a panelist in two...
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But I'll be back tomorrow to play
(Tom Waits)
"Described as one of the last beatniks of the contemporary music, Tom Waits - in fact - had two separate careers. From 1973 (LP "Closing Time") to 1983 ("One From The Heart" soundtrack), he recorded nine LPs for Asylum Records, writing songs mainly in the manner of Tin Pan Alley, mixing them with jazz and blues. Extraordinarily, he never produced a hit, but he earned a cult following all over the world. In 1983 he signed with Island Records, and released a series of albums that stunned the music world. Beginning with "Swordfishtrombones", he introduced a whole new orchestration, which included some of the instruments invented by Harry Partch. He found a new ground for his innovations, searching in sound fields that never before were searched. This second part of his career coincided with his marriage to Kathleen Brennan, a former writer for Francis Ford Coppola (Zoetrope (1999)). His LPs "Rain Dogs" (1985), "Big Time" (soundtrack) and "The Black Rider" are today what Kurt Weill's music was once. "