Haiku
the unlit candelabra
of the swiss stone pine--
long white gloves
Ruth Pitter's "Collected Poems"
Ruth Pitter lived in the twentieth century (1897-1992), but her poetry lives in an earlier time. It refuses to acknowledge Matthew Arnold's "melancholy, long, withdrawing roar" of faith, but struggles in isolation with religious doubt and meaning. As such, it is, on occasion, a powerfully individual poetry, but it is also radically cut off from the most significant movements of her time. The refusal to engage with Modernism and its aftermath stunts the poetry. The slightly archaic diction and windy abstractions persist into the late poems. The use of traditional verse forms (including the heroic couplet) evinces individual skill but makes no larger argument, unlike the work of Eliot, Auden and Larkin. A few late poems grapple with modern science, but the main thematic development in the Collected Poems is from the observation of nature to the description of dreams-visions, a movement backwards in time, from Romanticism to medievalism.
The nature poems, from the start, ar…
The nature poems, from the start, ar…
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