How Much Does It Take To Live In Singapore?

 Weekly column written for the Singapore Unbound newsletter. Sign up here.

If you are partnered parents with two school-going children, you will need a minimum of $6,426 per month to live with dignity in Singapore. If you are a single parent with one child, you will need $3,218 per month. And if you are a single elderly person, you will need $1,421 per month.

These are the findings in the recent report released by a team of Singaporean researchers. Using a consensus-based methodology known as Minimum Income Standards (MIS), which is sensitive to local contexts, the researchers have determined the household budgets necessary to meet basic needs. They also suggest that "a reasonable starting point for a living wage in Singapore is $2,906 per month." Although the median work income among all workers in 2020 exceeded this amount by 56%, the median work income for cleaners, laborers, and related workers were less than half of what is needed. The median earner in services and sales earned only 73% of what is needed.

The patchwork of government tax benefits and financial aid schemes does not make up for the shortfall, the researchers concluded. The thresholds are often too high and the quanta too small. The Singapore government has a duty to respond to this insightful report by overhauling the current system so as to meet the needs of the most vulnerable members of society. Only then can it claim to be working for all Singaporeans.

Jee Leong Koh
October 14, 2021

Comments

Post a Comment

Popular posts from this blog

Goh Chok Tong's Visit to FCBC

Image
I am surprised by how much this incident is affecting me. I thought I have moved past my former religious life, left it behind in Singapore, but like tin cans tied to a dog it has followed me and is rattling me. I am posting the incident, and my response to it, here on this blog, because I want to remember that the past is not yet past. When Emeritus Senior Minister of Singapore Goh Chok Tong visited Faith Community Baptist Church on 13 January during a Sunday service, Senior Pastor Lawrence Khong took the opportunity to deliver a hateful anti-gay message . Among other things, he said: We affirm that the family unit comprises a man as Father, a woman as Mother, and Children. This is the basic building block of society, a value foundational for a secure future, a premise fundamental to nation-building. and warned ominously that We see a looming threat to this basic building block by homosexual activists seeking to repeal Section 377A of the Penal Code.   Examples from ar
Read more

Wallace Stevens' "The Noble Rider and the Sound of Words"

Just read three essays from the "Poetics" section at the back of Volume One of The Norton Anthology of Modern and Contemporary Poetry : "The Poetry and the Present" by D.H. Lawrence (1919); "The Negro Artist and the Racial Mountain" by Langston Hughes (1926); and "The Noble Rider and the Sound of Words" by Wallace Stevens (1942). The first is an artful polemic for free verse in contact with the "insurgent naked throb of the instant moment." The second is a spirited rejoinder to a young Negro poet who wanted to "write like a poet--not a Negro poet." The third, my favorite, is a wide-ranging meditation on the nature of poetry and the role of the poet. So many grand things said but I will only quote a few passages: I am interested in the nature of poetry and I have stated its nature, from one of many points of view from which it is possible to state it. It is an interdependence of the imagination and reality as equals. This is
Read more

Steven Cantor's "What Remains: the Life and Work of Sally Mann"

Image
Sally Mann, The Perfect Tomato , 199 0 Since it is moving pictures, a film necessarily captures--produces--a process. It turns photographs into the making of photographs. It joins moments ("spots of time") into a Life. This I expected watching Cantor's documentary on Sally Mann's creation of the exhibit "What Remains." So photographs of a long-dead beloved greyhound "lead" to photographs of the Civil War battlefield of Antietam, to photographs of Mann's Virginian farm bloodied by the police killing of a runaway convict, to photographs of decomposing bodies in a forensic study site, as if each group of pictures forms an independent yet preparatory stage in the creative process. What I did not expect to see is the influence of the film-making on the photography itself. Mann begins to think of her exhibit as a "narrative," and wants the narrative of death to end on a more uplifting note. With such an idea in mind, she takes close-up pic
Read more